Preparing a room for decorating today, I was filling holes in the lime plaster in a first floor room when I heard a loud knocking on the other side of the wall. I knocked back hard with a trowel handle on the wall but it didn’t stop so I dashed outside to shout at the woodpecker – yet again, they’ve found a way into the clay and they are digging holes for insects, this time too high for anything but scaffolding for repairs.
It had gone before I got outside so I am not sure which variety it was – we’ve been attacked by green, greater spotted and lesser spotted (illustrated: one day I’ll be fast enough to get my own photo of a housepecker in the act!) Continue reading “Lesser spotted housepeckers”
I recently came across an 1874 description of a brewhouse which could almost be about ours. It is by Richard Jefferies*, a Victorian novelist and writer about nature and the countyside. The brewhouse he describes is part of a multi-function farm service building that is also used as a dairy, for cheesemaking and for servants’ accommodation. Evidence we and the previous owners found in the building fits that pattern rather closely. Continue reading “Brewhouses, dairies and servants’ quarters”
It is now 10 years since we bought this house. I’ve just realised, looking at the blog, that there’s been nothing to report since February.
What a pleasure: there have been 10 years of projects, major and minor, and always a substantial job or two waiting to be done, and this is the first year without one. It is wonderfully pleasant to focus on gardening, or to sit in a comfortable chair to keep a lookout for that swimming grassnake, or be delighted by a dragon or damsel fly, or by a kingfisher or flycatcher. The hours spin by. Continue reading “Take time to sit back and enjoy”
I’ve been wondering how best to redecorate a room whose surfaces are finished in old materials – clay and plaster – but which have been painted with modern emulsion. That may be creating a breathability problem.
Very modern emulsions are impermeable to moisture. Cruder basic emulsions have a certain amount of breathability, but it’s hard to tell which it is, looking at the result at least 30 years after it was last painted. So should the emulsion be removed? Continue reading “Limewash over emulsion paint “
It has been a positive pleasure painting the windows in the last few days using custom-mixed linseed oil paint from Ingilby’s of Glemsford. The window frames were stripped and repaired, and much of the putty renewed, some time ago, and they have since been given several coats of pure linseed oil to prepare and waterproof them. But for various reasons, I didn’t get round to completing the job.
Now I’m painting, I can immediately see the benefits of using linseed oil on old wood. Where I’ve left a leading edge of paint on bare wood, the oil spreads out of the paint into the wood, which seems to lap it up, almost pickling the timber in oil. That can only be good for long term preservation, especially as absorption is helped by the slowness with which the paint dries. Continue reading “Old fashioned paint”
The first step is to prepare some of our grey boulder clay, which we saved from the excavations for the extension. It is much better than the brown clay we used previously when we bought ready mixed daub from a farm in Essex.
Went on holiday for 3 weeks, leaving the clay daub repairs till afterwards (see earlier post) – and this is what the woodpeckers have done to the bare patch, digging for insects while the house was empty. One of the holes is six inches deep. Won’t leave repairs so long next time…
After focusing on a new timber framed extension for so long, we’re now back to repairing the old building. Weak bits of of a rough cement render have been dropping off the front wall, as the picture shows. The cement is just a thin layer skimmed a few decades ago onto clay daub.
We’ve been expecting this, but took a decision early on to let it happen by natural weathering, and then patch repair bit by bit. Looking at the evidence of what’s there, we think patching is the way the walls have been maintained for a very long time – any weakness, then they just slapped on a bit of clay and limewashed it, and owners only recently took to adding cement as well. Continue reading “Back to daub”
We needed something to connect the big glass doors with the pond, so we built an oak terrace cum patio.
It was to be an irregular shape because of the pond, so we drew it exactly, levelled the ground and dug nine post holes, into which were inserted short lengths of 100×100 mm fence posts, bedded in concrete. Continue reading “Adding an oak terrace”
We’ve done a few small jobs to finish off round the extension over the last few months.
To show a bit of the the history of the site, we decided to keep some of the footings of the original building, which fell down decades ago (and whose previous existence played a big part in getting permission to rebuild). Part of the footings had been cut through for the main drain, and other parts had been damaged by machinery, so we ended up repairing them, using lime mortar.
The extension floor was dropped down a foot below the old ground level, so keeping the old footings meant creating a narrow trench along the side of the building, Continue reading “Finishing touches”
Sometimes it’s quite hard to relax when you live in an old house, because the lazily wandering eye will all too often spot something not quite right: a beam that suddenly seems to have too little support, or a pile of dust that might betray active wood pests. Nine times out of ten the risks spotted in that casual glance prove, on reflection, to be exaggerated, perhaps a function of the pessimistic frame of mind that develops when repairing an old house: the deeper you examine the building, the more problems you have to solve. Here are pictures of three things we did after staring rather a lot at potential problems. Probably only one of them was really necessary, but doing the other two made us feel better.
The first picture is of a wrought iron bracket we had made to reinforce the end of the biggest beam in the house, which does not quite meet the wall (a result of the repair of the chimney and fireplace which were leaning into the room but are now straight, which moved the bearing surface in the wall away from the timber). The beam end since then has rested not on a post but on a one inch thick steel slab inserted in the wall whose other end bears the weight of a beam and studs above. Solid and permanent, we were assured, but sitting in an armchair underneath, somehow it didn’t look right. The bracket bought piece of mind, and looks nice, too. Continue reading “How to stop worrying and relax a little”
I gather that there is questioning among some East Anglian lime specialists of the claim reported in the previous post that traditional hair mixes are significantly prone to failure.
As I mentioned, this is not about the well known deterioration of hair if it is left too long in a wet mix before being used, but about intrinsic faults in the hair, especially if it is imported. Continue reading “PS on lime”
I have to admit now that I have been a bit nervous about our new chalk lime plaster since last August, though I haven’t confessed it so far to the blog: we used imported pigs hair for the plaster in 2013, and more than a year after it was done I was speaking to another lime specialist who gave a deep intake of breath, frowned, and asked: has it fallen off yet? He seemed to relish recounting the story of another Suffolk house where the pig hair had disintegrated and the plaster coat had failed in the first year, on his version of the story because it had a foreign bug that had eaten it.
I’m now much more confident that our pig hair plaster is OK. There are no signs of failure, and from time to time over the autumn I pulled out a bit of hair near the surface and checked it for strength. I tried again this morning and the hair was as strong as ever. Continue reading “Lime developments”